Selected: F37 Britain condensed
F37® Britain Collection
F37 Britain condensed
F37 Britain
Condensed

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Buckets & Spades
Deck Chairs
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F37 Britain Condensed
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The Story

A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness

What is it that makes something quintessentially British?

That’s pretty hard to put your finger on because the nation’s peculiar visual vernacular comprises thousands of small quirks and nuances. Many of these are so commonplace they go virtually unnoticed — they are around us on the streets, our homes, and objects that we use every day. They are taken for granted, they are just part of the national socio-cultural landscape.
This was the idea behind the F37 British Collection, a collection of seven disparate but perfectly patriotic fonts. We’ve taken our inspiration from all corners, nooks and crannies of the land — from Victorian theatre posters and antique maps, to wood-type specimens and typewriter impressions.
Together, they reflect the hope and the glory of everyday British life. They celebrate our collective character and eccentricities.

They nod to our past while looking stiff-upper-lippedly into the future.
F37 Britain condensed Backslanted
The
Great British
Seaside Holiday!
F37 Britain condensed Oblique
Seaside holidays have been a significant part of British culture for over 300 years. They originated when it was discovered that sea water had many health benefits. Even today, we understand swimming in the sea to have health benefits linked to improving physical and mental wellbeing.

When the reputation of sea-bathing increased, it wasn’t long before many industries migrated to the seafront, including cafes, theatres, seafood shacks and many more. Seaside holidays truly came into its heyday in post war years. People would head to the seaside for an escape from daily life and immerse themselves in what we know now as traditional seaside entertainment. It is always a fun packed day at the seaside, with crazy golf, dodgems, amusement arcades and let’s not forget the best fish and chips!
F37 Britain condensed Regular
Along the promenade you would find shops selling rock, postcards, buckets and spades, along with plastic windmills and packets of flags to adorn the sand castles.
F37 Britain condensed Regular
Alreet
Eh Up Duck
Hullo
Ey-up
F37 Britain condensed Oblique
There are almost 40 different dialects in Great Britain that sound totally different from each other.
F37 Britain condensed Regular
What is a
Condensed
typeface?
F37 Britain condensed Regular
The letters of a condensed style are narrower and usually flat sided when compared to their normal width counterparts. The boxy appearance is a product of compressing round shapes while simultaneously keeping the interiors of the letters as open as possible. Often rather illegible at small sizes, these slim styles make up for it with the amount of content they can pack into a line.
F37 Britain condensed Oblique
The condensed font owes its creation to the loud and punchy typographic explosion that was early packaging, posters and newspaper headlines of the industrial revolution. This was a period where paper was expensive and products were plentiful, and where advertisers wanted as many letters per-page as possible.
01 / 06
F37 Britain condensed Regular
The
Great British
Seaside Holiday!
F37 Britain condensed Regular
The great British seaside holiday came into its heyday in the post war years, the 1950s and 1960s. The destinations of choice depended largely on where you lived. For example in the north, those from the mill towns, Manchester, Liverpool or Glasgow would most likely go to Blackpool or Morecambe: those from Leeds would head for Scarborough or Filey. Londoners might choose Brighton or Margate.

Along the promenade you would find shops selling rock, postcards, buckets and spades, along with plastic windmills and packets of flags to adorn the sand castles.
F37 Britain condensed Backslanted
What is a
Condensed
typeface?
F37 Britain condensed Backslanted
The letters of a condensed style are narrower and usually flat sided when compared to their normal width counterparts.
F37 Britain condensed Regular
The boxy appearance is a product of compressing round shapes while simultaneously keeping the interiors of the letters as open as possible. Often rather illegible at small sizes, these slim styles make up for it with the amount of content they can pack into a line.
F37 Britain condensed Regular
The condensed font owes its creation to the loud and punchy typographic explosion that was early packaging, posters and newspaper headlines of the industrial revolution.
01 / 06
Britain Condensed References
F37 Britain Condensed is a rounded typeface based on various display types that were published in the 19th and 20th century. It has the rigid, picket-fence structure of the condensed types from Stephenson & Blake, Thorowgood or De Little's wood types with the addition of rounded terminals to give it a fresh face. It is perfect for large display Use Cases that need to pack a punch.
F37 Britain condensed Regular
Humorous
F37 Britain condensed Oblique
Kitsch
F37 Britain condensed Regular
Quirkyness
F37 Britain condensed Backslanted
Eccentric
F37 Britain condensed Regular
Abingdon
Accrington
Acton
Adlington
Alcester
Aldeburgh
Aldershot
Aldridge
Alford
Alfreton
Alnwick
Alsager
Alston
Alton
Altrincham
Amble
Amersham
Amesbury
Ampthill
Andover
Arundel
Ashbourne
Ashburton
Ashby-de-la-Zouch
Ashford
F37 Britain condensed Oblique
Bacup
Bakewell
Baldock
Banbury
Barking
Barnard Castle
Barnet
Barnoldswick
Barnsley
Barnstaple
Barnt Green
Barrow-in-Furness
Barton-upon-Humber
Barton-le-Clay
Basildon
Basingstoke
Bath
Batley
Battle
Bawtry
Beaconsfield
Beaminster
Bebington
Beccles
Bedale
F37 Britain condensed Backslanted
Caistor
Calne
Camberley
Camborne
Cambridge
Camelford
Cannock
Canterbury
Carlisle
Carnforth
Carterton
Castle Cary
Castleford
Chadderton
Chagford
Chard
Charlbury,
Chatham
Chatteris
Chelmsford
Cheltenham
Chesham
Cheshunt
Chester
Chesterfield
Chester-le-Street
F37 Britain condensed Regular
Dagenham
Dalton in Furness,
Darley Dale
Darlington
Dartford,
Dartmouth
Darwen
Daventry
Dawlish
Deal
Denholme
Denton
Derby
Dereham
Desborough
Devizes
Dewsbury
Didcot
Dinnington
Diss
Doncaster
Dorchester
Dorking
Dover
Downham Market
F37 Britain condensed Regular
Abingdon
Accrington
Acton
Adlington
Alcester
Aldeburgh
Aldershot
Aldridge
Alford
Alfreton
Alnwick
Alsager
Alston
Alton
Altrincham
Amble
Amersham
Amesbury
Ampthill
Andover
Arundel
Ashbourne
Ashburton
Ashford
Ashingto
Bacup
Bakewell
Baldock
Banbury
Barking
Barnard Castle
Barnet
Barnoldswick
Barnsley
Barnstaple
F37 Britain condensed Regular
Abingdon
Accrington
Acton
Adlington
Alcester
Aldeburgh
Aldershot
Aldridge
Alford
Alfreton
Alnwick
Alsager
Alston
Alton
Altrincham
Amble
Amersham
Amesbury
Ampthill
Andover
Arundel
Ashbourne
Ashburton
Ashford
Ashingto
Bacup
Bakewell
Baldock
Banbury
Barking
Barnard Castle
Barnet
Barnoldswick
Barnsley
Barnstaple
F37 Britain condensed Regular
A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness.

That’s pretty hard to put your finger on. Because the nation’s peculiar visual vernacular comprises thousands of small quirks and nuances. Many of these are so commonplace they go virtually unnoticed — they’re around us on the streets, our homes, objects that we pick up and use every day. We take them for granted, they’re just part of the national socio-cultural landscape.

This was the idea behind the F37 British Collection, a collection of seven disparate but perfectly patriotic fonts. We’ve taken our inspiration from all nooks, corner and crannies of the land — from Victorian theatre posters and antique maps, to wood-type specimens and Leicestershire typewriter impressions. We’ve paid homage to John Baskerville, the father of transitional typography and Edward Johnston, the man who took letterforms Underground. We’ve referenced the Union flag and Scotch whiskey, classic serifs and ever-popular sans serifs.
F37 Britain condensed Backslanted
A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness.

That’s pretty hard to put your finger on. Because the nation’s peculiar visual vernacular comprises thousands of small quirks and nuances. Many of these are so commonplace they go virtually unnoticed — they’re around us on the streets, our homes, objects that we pick up and use every day. We take them for granted, they’re just part of the national socio-cultural landscape.

This was the idea behind the F37 British Collection, a collection of seven disparate but perfectly patriotic fonts. We’ve taken our inspiration from all nooks, corner and crannies of the land — from Victorian theatre posters and antique maps, to wood-type specimens and Leicestershire typewriter impressions. We’ve paid homage to John Baskerville, the father of transitional typography and Edward Johnston, the man who took letterforms Underground. We’ve referenced the Union flag and Scotch whiskey, classic serifs and ever-popular sans serifs.
F37 Britain condensed Regular
A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness.

That’s pretty hard to put your finger on. Because the nation’s peculiar visual vernacular comprises thousands of small quirks and nuances. Many of these are so commonplace they go virtually unnoticed — they’re around us on the streets, our homes, objects that we pick up and use every day. We take them for granted, they’re just part of the national socio-cultural landscape.

This was the idea behind the F37 British Collection, a collection of seven disparate but perfectly patriotic fonts. We’ve taken our inspiration from all nooks, corner and crannies of the land — from Victorian theatre posters and antique maps, to wood-type specimens and Leicestershire typewriter impressions. We’ve paid homage to John Baskerville, the father of transitional typography and Edward Johnston, the man who took letterforms Underground. We’ve referenced the Union flag and Scotch whiskey, classic serifs and ever-popular sans serifs.
F37 Britain condensed Oblique
A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness.

That’s pretty hard to put your finger on. Because the nation’s peculiar visual vernacular comprises thousands of small quirks and nuances. Many of these are so commonplace they go virtually unnoticed — they’re around us on the streets, our homes, objects that we pick up and use every day. We take them for granted, they’re just part of the national socio-cultural landscape.

This was the idea behind the F37 British Collection, a collection of seven disparate but perfectly patriotic fonts. We’ve taken our inspiration from all nooks, corner and crannies of the land — from Victorian theatre posters and antique maps, to wood-type specimens and Leicestershire typewriter impressions. We’ve paid homage to John Baskerville, the father of transitional typography and Edward Johnston, the man who took letterforms Underground. We’ve referenced the Union flag and Scotch whiskey, classic serifs and ever-popular sans serifs.
F37 Britain condensed Backslanted
A collection of seven colourful, characterful fonts that take their cue from a miscellany of Britishness.

That’s pretty hard to put your finger on. Because the nation’s peculiar visual vernacular comprises thousands of small quirks and nuances. Many of these are so commonplace they go virtually unnoticed — they’re around us on the streets, our homes, objects that we pick up and use every day. We take them for granted, they’re just part of the national socio-cultural landscape.

This was the idea behind the F37 British Collection, a collection of seven disparate but perfectly patriotic fonts. We’ve taken our inspiration from all nooks, corner and crannies of the land — from Victorian theatre posters and antique maps, to wood-type specimens and Leicestershire typewriter impressions. We’ve paid homage to John Baskerville, the father of transitional typography and Edward Johnston, the man who took letterforms Underground. We’ve referenced the Union flag and Scotch whiskey, classic serifs and ever-popular sans serifs.
F37 Britain condensed Regular
F37 Britain Condensed is a rounded typeface based on various display types that were published in the 19th and 20th century. It has the rigid, picket-fence structure of the condensed types from Stephenson & Blake, Thorowgood or De Little's wood types with the addition of rounded terminals to give it a fresh face. It is perfect for large display Use Cases that need to pack a punch.
F37 Britain condensed Oblique
F37 Britain Condensed is a rounded typeface based on various display types that were published in the 19th and 20th century. It has the rigid, picket-fence structure of the condensed types from Stephenson & Blake, Thorowgood or De Little's wood types with the addition of rounded terminals to give it a fresh face. It is perfect for large display Use Cases that need to pack a punch.
F37 Britain condensed Backslanted
F37 Britain Condensed is a rounded typeface based on various display types that were published in the 19th and 20th century. It has the rigid, picket-fence structure of the condensed types from Stephenson & Blake, Thorowgood or De Little's wood types with the addition of rounded terminals to give it a fresh face. It is perfect for large display Use Cases that need to pack a punch.
F37 Britain condensed Regular
F37 Britain Condensed is a rounded typeface based on various display types that were published in the 19th and 20th century. It has the rigid, picket-fence structure of the condensed types from Stephenson & Blake, Thorowgood or De Little's wood types with the addition of rounded terminals to give it a fresh face. It is perfect for large display Use Cases that need to pack a punch.
F37 Britain condensed Oblique
F37 Britain Condensed is a rounded typeface based on various display types that were published in the 19th and 20th century. It has the rigid, picket-fence structure of the condensed types from Stephenson & Blake, Thorowgood or De Little's wood types with the addition of rounded terminals to give it a fresh face. It is perfect for large display Use Cases that need to pack a punch.
F37 Britain condensed Backslanted
F37 Britain Condensed is a rounded typeface based on various display types that were published in the 19th and 20th century. It has the rigid, picket-fence structure of the condensed types from Stephenson & Blake, Thorowgood or De Little's wood types with the addition of rounded terminals to give it a fresh face. It is perfect for large display Use Cases that need to pack a punch.
F37 Britain condensed
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What makes something look typically British? That’s pretty hard to put your finger on.
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